Anna Caterina Antonacci
Anna Caterina, a soprano that is widely regarded as one of the top performers of her generation. She has been awarded the highly coveted Voci Verdiane Callas Competition and Pavarotti Awards. French Republic awarded her with the top honor a nation can bestow the title of 'Chevalier de la l'Ordre National de la Legion d'honneur'. Era la Notte was her debut album for Naive and it received much appreciation. Her next album the album L'Alba separa dilla lumie dell'ombra on Wigmore Live featuring Tosti Ciela and Hahn along with Donald Sulzen has been equally well-received. Anna Caterina, a distinguished member of the General Assembly of Academicians of Santa Cecilia's distinguished members, in 2021 was named one of the Accademici Effettivi. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites up to the 22/23 seasons of Teatro dell'Opera di Roma, in a production directed by Emma Dante. The role will be reprised by Anna Caterina Antonacci the Bayerische Staatsoper later this season. Anna Caterina Antonacci is an Italian soprano who is famous for her roles in the bel canto and Baroque repertories. She performed as mezzo-soprano over a number of years, particularly performing the Rossini canon. Anna Caterina Antonacci stands at an average height of 62 inches. Anna Caterina Antonacci will have her height, weight and body measurements updated shortly. It's been reported that she is single. There is no one she's dating. We have no details about Her previous relationships. According to our Database there are no children. Her net worth has been growing significantly in 2022-2023. Anna Caterina Antonacci is now the age of 62. Anna Caterina Antonacci is a highly successful performer. Anna Caterina Antonacci's money comes mostly from being a successful artist. She performed as a mezzo-soprano throughout her career, notably in that part of the Rossini canon. Antonacci is a Bologna-trained singer and performed her Arezzo debut in the role of Rosina in the year 1986. Her profile was extensively written in the New York Times in March 2012.
Comments
Post a Comment